Maps

Their debut album We Can Create was hotly fancied for the Mercury prize, but ultimately lost out to Klaxons. On a night out, the nu rave Klaxons songs would be all jabbing glow sticks in your ribs and telling you to wake up. The Maps sound is a much more comfortable, sonic duvet.

It doesn't just tickle your ear, it envelopes you in gorgeousness, gets you drunk and tells you it loves you.

Maps aren't really a band. It's Northampton bedroom electro fiddler James Chapman. Unusually for an electronic project the album was written on a 16 track machine at home rather than using a computer. He'd spent years tinkering with the songs and arrangements without playing them to friends let alone playing them live.

Once the world became interested though he was lured out of the bedroom and assembled a band to tour with.

As is often the case the record he thinks he's making in his head isn't the one that actually comes out. He describes himself as a massive fan of Boards Of Canada and the back catalogue of the Warp label, but by sidestepping the computer it sounds like he's used analogue methods to try and make an electronic album.

So what actually emerges recalls the electropop side of Spiritualised and the swooning breathlessness of Loveless era My Bloody Valentine. There's also the grandeur of Doves or New Order at their most ceremonial and the occasional whiff of Moby. The hazy, fragile vocals are mixed low, but the overall feeling is of stateliness. These are songs carried in slow dignified procession...by elves.

The songs do all follow the same format though. Similar mid paced tempos, and as each new instrumental layer is added, you're never surprised by the actual sound or where it sits. So it's not revolutionary but it does sound warm, welcoming and just absolutely "right". Each song is cut from the same cloth, but you do end up with a wardrobe of good suits....And so easy to wear!

There's been a frugal approach to the lyrics to. The complete lyrics to Back And Forth are "The Sounds. They separated. Back and forth to you." More of a cryptic crossword clue than a lyric.

When You Leave is also on the shorter side of brief. "When you leave. I ain't coming. What you have comes to nothing"

He's not only a man of few words. He's often a man of the same few words. The line "We can create I say" from opening track So High So Low reappears on Liquid Sugar as "Now we can create".

"Need help to cut on through" from To The Sky resurfaces as "You can try to cut it down" on Lost My Soul. In his defence I'm sure Chapman would be the first to argue that the lyrics are just another layer in themselves and that even the vocals are there to suggest a feeling rather than being a burning statement that just has to get out or the singer will combust.

A sentiment eloquently summed up by James Brown in Hot Pants Road.

The album was co-produced by Valgeir Sigurdsson and mixed by Ken Thomas who have also worked with Bjork and Sigur Ros respectively. So no strangers to the strange then.

So Low So High contains a sample from, Theme From A Teenage Opera by Mark Wirtz. This was the was the b side to Keith West's frankly bonkers 60's single Grocer Jack.

So Low So High follows the "quiet LOUD quiet" formula of the Pixies, but with treated brass fanfares, while You Don't Know Her Name has a Pixies type bass line.

The majestic Elouise approaches the "quiet LOUD quiet" trick from a different angle, using discordant throbbing synths for the LOUD part. When they stop the song itself just snaps into focus with the equivalent of the quiet part. It's the sound itself that's doing the trick rather than the volume. It's a really good effect and the song's great too!

The album does sound so overwhelmingly lovely that dwelling on any negative or critical feelings I have about it just make me feel a bit ungrateful. Like the swinish brute from a romantic tale who just doesn't appreciate the beauty and charms of the silky tressed heroine.

But here's the thing..

..I think it's going to end up as dinner party music, on adverts and voiceover music. I think we'll all feel worse about Maps because of it. Which is a shame, and a bit unfair.